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Ottone is more concerned about Teofane than himself Aria: Emireno has found the boat and returns, and Adelberto seizes Teofane, who swoons as he carries her into the boat and rows her away, together with Emireno and some of their men.
Gismonda joins Matilda in the garden; they celebrate the night that saw the success of their plan to free Adelberto Duet: Ottone is desolate that Teofane has vanished Aria: Dove sei, dolce mia vita. Gismonda comes to him and gloats that her son has escaped Aria: Ottone feels betrayed and abandoned by everyone Aria: After a brief orchestral sinfonia, Adelberto, Emireno and Teofane appear with their guards.
Their escape has been stalled by a sudden squall that has blown up. Adelberto hopes both for better weather and for Teofane's love Aria: He leaves to look for a dwelling where they can take refuge from the storm. At this, Emireno attempts to embrace her, and Teofane, as well as Adelberto who returns just as this takes place, misinterpret the action as an attempt at seduction.
Adelberto attacks Emireno but the guards seize him. Teofane is distraught and asks the guards to kill her, death will be a release Aria: Benchè mi sia crudele. Emireno tells her she has no reason to be afraid Aria: No, non temere, o bella. Teofane imagines Ottone in Matilda's arms, but even so, she swears she will love him always Aria: Matilda tells Ottone that Adelberto has abducted Teofane. Gismonda is triumphant at her son's actions, but Matilda tells her she will change her tune when she sees her son's head cut from his shoulders.
Gismonda retorts by revealing to Ottone that it was due to Matilda that Adelberto managed to escape. Matilda admits this is true, but she is sorry she helped Adelberto and would now like to kill him herself Aria: Emireno comes in with Adelberto in chains. Ottone orders Adelberto to be executed, but Matilda demands the right to run him through herself.
However she cannot bring herself to do it, realising that she still loves him. Gismonda grabs the knife from Matilda and is about to commit suicide, when Teofane rushes in and she and Ottone are joyfully reunited Duet: Teofane explains that she now knows that Emireno is really her brother; Gismonda and Adelberto ask for and receive Ottone's forgiveness and pledge him their loyalty, and Matilda accepts Adelberto's offer of marriage.
All celebrate the fortunate turn of events Chorus: The arias in Ottone place less emphasis on bravura and dazzling virtuosity than in Handel's previous operas and are notable for expressive beauty. Many of the arias and instrumental movements from the piece became concert favourites, according to musical historian Charles Burney. This last section of the overture, according to Burney, became extremely popular all over England and was played on "every imaginable instrument".
Teofane's music is pure and melting; her entrance aria Falsa imagine , with its "fine" cello obbligato is, according to Lang, one of Handel's greatest arias, and she too is given a "bewitching" siciliana to sing, the aria Affanni del pensier.
The opera is scored for recorder, two oboes, two bassoons, strings and continuo cello, lute, harpsichord. Handel had completed the first version of Ottone on 10 August , but revised the opera before its first performance. After the first performances of the initial run, demand for tickets was so great that they were sold at much more than their face value, in an early example of ticket touting. Not only the wealthy and aristocratic patrons of the opera were enthusiastic about the performance and the singers: As for the reigning amusements of the town, it is entirely music Everybody is grown now as great a judge of music as they were in your time of poetry, and folks that could not distinguish one tune from another now daily dispute about the different styles of Handel [and other composers].
People have now forgot Homer, and Virgil, and Caesar, or at least, they have lost their ranks;for, in London and Westminster, in all polite conversations, Senesino is daily voted to be the greatest man that ever lived. Ottone also is notable as the only Handel opera in which Farinelli appeared, in the role of Adelberto, in December The next production in Germany, on 5 July in Göttingen , was the first revival of any Handel opera in the twentieth century.
From Wikipedia, the free encyclopedia. For other uses, see Ottone disambiguation. George Frideric Handel's lost Hamburg operas List of operas. A Textual and Musical Study" August Knapp Handel's operas , p. Retrieved 28 December The Cambridge Companion to Handel. Cambridge Companions to Music. The Grove book of Opera Singers. The Musical Times , George Frederick Handel ed. All Music Guide to Classical Music: The Definitive Guide to Classical Music.
Steven LaRue May Retrieved 23 October Retrieved 13 June Water Music Music for the Royal Fireworks. Retrieved from " https: Views Read Edit View history. In other projects Wikimedia Commons. This page was last edited on 13 August , at